Sinan and Rain

Yesterday I gave my first real presentation of the year in my Palladio class. At the beginning of the semester we picked from a list of topics that Dr. Cooper had prepared, each of which had an article to use as a 'jumping off point;' I chose Palladio and the East, because that sounded pretty interesting. The article was about possible Ottoman influences in Palladio's Redentore church in Venice, and since the point of the presentation was to move in some other direction based on the theme (although I felt like a lot of people just reiterated the thesis of the article they read) I decided to lgo in exactly the opposite direction and look at Western influences on the Ottoman architecture of Sinan. Lo! a presentation was born.

Ironically, despite the fact that my entire presentation was based on circumstantial evidence and suggestive possibilities (for example, Palladio's treatise I Quattri Libri might have been available to Sinan, because his patron Marc'antonio Barbaro was in Constantinople as a consul when it was published in 1570 and he was buddy-buddy with the grand vizier, and wouldn't that have just made a swell gift? Not only was the plan for his very own country home in it, there was even a staircase he'd designed himself!), as well as one single concrete example of a time that Sinan seems to have seen something Western and used the idea in one of his mosques (support piers, very exciting stuff) I think it went off rather well. I tried to show that there was at least a context of cross-cultural communication in both directions, not just the East-to-West influence we're always led to believe, even though I couldn't actually say that Sinan ever directly adapted anything from Palladio in the way that Palladio might have adapted ideas from him. I've noticed that in academia you can get away with a lot of postulating as long as you're clear up front that you can't necessarily prove what you're saying.

I'll find out tomorrow how I did, but the feedback I got from the older students was positive, which was really good to hear. In addition to reading it aloud a few times beforehand, I had made Sean sit through the presentation, slides and all, while he was here on Saturday evening, even though he was suffering a cold and probably falling asleep. And then I made him look at a few of Palladio's buildings, which he was a good sport about, lol. At least I didn't make him look at mosques...it's probably my Euro-centrism, but I just don't find mosque architecture appealing, especially from the exterior. They look like weird blobs. For example, this is one of Sinan's most famous works (and incidentally, the one that may have been an influence on Palladio), the Selimiye in Edirne:


It just doesn't work for me; too many protrusions from the central mass, I think. Kind of like really symmetrical tumors.

Anyway, now that I'm done insulting masterpieces of Ottoman architecture...there's a one-day symposium on Palladio coming up in November at Columbia that I'm going to go to. Dr. Cooper is presenting a paper, and also a couple of the major names in the field (whose work you can't help but trip over no matter what) are going to be giving papers as well, so it's kind of exciting, even though I'm not really into architecture in general. Oh, and David Rosand will be there giving a paper on scenographic architecture in Venice--he's the guy from Columbia who works on Titian, and I met with him when I was applying, but of course then I didn't get in, so boooo to him. Yeah, except his work is amazing. Curses!

There are always those people who when you read their work, you really, really wish you'd written that, or thought of that; right now I can think of Billy Collins in the poetry department, as well as Rosand and also Patricia Brown at Princeton, especially "Private Life in Renaissance Venice". With her, though, it's not even so much her research that I admire (although that's stellar, of course) but the way she synthesizes different aspects of Venetian culture and relates them to the art and architecture of the period, and still manages to make it really readable and fascinating. I want to write books that people will actually want to read, books they'll enjoy reading, and I think she manages to do that really well.

On another note, it poured today, icy sheets of rain that were being propelled practically sideways by the strength of the wind. Very unpleasant to be walking in, especially with a $10 umbrella purchased at an airport gift shop that threatened to give way at any moment. I wound up spending the entire day in the library, which is fortuitously connected on the ground floor to the building where my classes are. The only time I left was to dash out to a kiosk for a Diet Coke--Temple's greatest flaw is that it is a Pepsi campus. Luckily, there are independent vendors on every corner. However, I did have to forgo my lunch of choice, which is a meatball sandwich from this little cart near the art history department. It's literally just bun and meatballs with some sauce, not even any cheese, but they're really good, and even better, they're $2.25. Who loves cheap food? Me.

I was also delighted to hear that a couple of my classmates, Alice and Agnes, are applying to the Rome program as well. Agnes is from Poland and is very friendly, and Alice is kind of like an awesome den mother. She's older, has several children our age and is a high school history teacher who already has two, count them, two other master's degrees, history and I think economics. Anyway, if we all get in we agreed to look for a place to live together, which would be a lot of fun, I think. Not anywhere near as much fun as Florence--for one thing, this will actually be real coursework, not 'study-abroad' coursework--but that's to be expected.

Finally, my dear Carla's first performance in an opera is on Youtube! Brava! She's the nun in the white habit.