We visited the Metropolitan Museum of Art today. For the five hours of terrible traffic time, the half hour we actually had to wait since our tour guide chose this morning to play hooky, and the hour we were required to stare at nasty American artists such as Winslow Homer, we got about one glorious hour of seeing not what I really wanted to see, the Renaissance masters, but some impressionism, Monet and Van Gogh, as well as a few Egyptian artifacts and the Egyptian temple down below. The beautiful pieces of art I did see I only managed to because I strayed from the tour at certain points. I hate when tour guides park you in front of the nastiest masterpieces, such as this one French artist who decided to "break all the rules" by painting a huge domestic scene of his ugly sisters giving money to a ragamuffin tending creepy cows. We were forced to stare at this monstrosity, while across the not-so-large room was an absolutely gorgeous painting by Winterhalter, of the Spanish legend of Florinda. Basically, it was about ten beautiful girls sitting around doing each other's hair, and a guy staring from the woods at the most beautiful of them all, Florinda, whom he wants to make his bride. The tour guide labeled this "the establishment", and ignored it! It was lovely!
It happened again later when she made us discuss this Manet painting of the crossdressing bullfighter, while there were Van Goghs and Monets and other awesome paintings that she didn't mention. Just the confused looking woman in drag.
But then through the clouds struck a ray of light. I hung out during this trip with Meghan, and we had previously spotted two of our other friends asking a guard about paintings by Toulouse-Lautrec--both of them Moulin Rouge aficionados--and I had commented on the original version of the movie, which dealt with the painter's life. Later, Meghan and I were strolling by this guard when he stopped us to ask if I was a painter, since I had watched that movie. I said no, that I had only watched because I was curious. We kept talking.
This man's name was Mario--though I didn't find that out until after we had walked away, from the business card he had given me--and, in addition to being a guard, he was an artist. This too, we didn't discover until a little ways into our conversation, but I recall thinking, and Meghan thought this as well, that he had to be an artist, because he had the soul of one. He saw the world in a different way, and he was so ready to share it with us.
Incidentally, we made the mistake of telling one of the chaperones about this encounter, and she immediately suspected he was some kind of sexual predator trying to lure us in. I know it's perfectly possible, but he did not seek us out, he didn't ask us personal information, not even our names, and he didn't invite us to contact him, only to return to the museum. So don't get the idea of a creepy stalker man; I had a feeling of total ease in this man's presence, especially since it was immediately obvious that there was something different about him. Meghan described this as almost innocence, but it certainly wasn't naivete--he mentioned sex, and how women should be careful never to let themselves be used like cheap blowup dolls, tossing off such words as easily as if he was speaking of coffee.
As for what we spoke of, would it be cliched to say that I don't really even remember because I was so caught up in the euphoria of meeting a person, an adult, with a viewpoint that was so removed from my own, yet so relative, and so willing to just share what he knew and felt! I know we intially spoke of movies, Dr. Zhivago being one, and a French version of the Beauty and the Beast being another; I guess this led to love and women, because he recommended to us a book he had read in order to understand women better, Quotable Women: Five Thousand Years. He mentioned this because it made him realize how similar people are, from age to age--emotions and dilemmas and petty squabbles only change in superficialities. Stepping closer to me, he said "I have been with twenty men in my life, and yet this is not what a woman needs". This was said by a tenth century Chinese woman. He quoted Anne Frank about her relationship to her mother, that her mother should be conducting herself in a way that her daughter could emulate, since that's how girls feel connected to their moms. Again, parallelism in today's world. He mentioned something about how both an 19th century woman and Marlene Dietrich both commented that "a strong woman can make a strong man stronger, but she cannot help a weak man. He will only make her weaker."
Laughing, this man said that these were definitely things that should be understood early in life, before one "jumped into the pot". He quoted another famous saying, that "if you educate a man, you educate an individual; but if you educate a woman, you educate an entire family". Now you may wonder at this time if this man was gay; I honestly don't know. I also know, incidentally, that I was wondering at about this time if Meghan were weirded out by the conversation--or should I say lecture, since we just let him speak because he had so much to say--and wanted to leave; on the contrary, not only was she equally intrigued, she was also worrying that I wanted to leave!
I don't know how long we spoke to this man, but it feels as though so much was crammed into a small space in time. I remember that he told us, in a sort of warning fashion, not to let time or ennui steal the fire of life from us; he said to "keep passion alive in your heart". Without it, he said, you will never contemplate a rose as absolute perfection; you will never be able to see an eighty-year-old woman as at all beautiful; you will never be able to look at an elderly man wearing the garb of another era and appreciate that he's kept his old style.
He also said something that stuck out in my mind as well as Meghan's: he said when you find something you really love, of art or knowledge or whatever, you just want to "eat it up", to absorb it, to take it into you raw and whole so that you don't miss a drop of it. That, according to this man, was the wonder of art, that it could give you this feeling. Long after everyone else is bored with a kind of art and wants to find something novel, you will have that one painting or sculpture that really resounds with you, that truly means something. I don't know as whether I've found such a work of art yet.
And there is was; just randomly occurring in an episode of my life, an encounter with what Anne of Green Gables would call "a kindred spirit". I wonder if he was not some creature not of this world, someone sent to be there, in that gallery on this day, when Meghan and I would appear, to impart some fantastic knowledge of life and of the world. Would you call this life changing? I really don't know yet, but this mysterious character interposed himself at a time when I really could appreciate such a touchstone the broad canvas of life.
Meghan and I agreed afterwards that it was an incredible experience; yet we had trouble relating the euphoria of contact with such an individual to anyone else; and even here in this blog I could not have possibly done justice to the connection that was there. I have no idea if I will ever meet this man, Mario, again, but perhaps I will meet someone like him, someone who is also willing to share what it is they have gained in knowledge of existence. In the meantime, I merely hope that one day I will see the sunrise from a point of view such as his.