
''One morning, I shot an elephant in my pajamas. How he got in my pajamas, I don't know.''
Tuesday, October 15, 2024
Niblings and Shed Update

Wednesday, October 02, 2024
Birthday Update
I turned 39 yesterday! For some reason, I like the number itself better than those on either side of it. Hopefully this portends good things!
Here are some good things that have already happened:
- My exhibition formally opened on Thursday night! This is the fourth show I've curated at Fairfield (and will be the last for a fairly long time, given that our exhibition calendar is planned through 2029 or so), and I'm really proud of it. Since it's Old Master prints, it's not as eye-catchingly beautiful as the Kress exhibition - but it is, admittedly, hard to beat an El Greco.
- I deadlifted 135 lbs. yesterday! Technically I'd already done this in late July, right before we went to see Sara and Zach, but our August brushed with Covid turned into basically a month without working out, and I had to build back up to that. My birthday present to myself was 45-lb bumper plates!
- My new plants are coming along! The wildflowers are sleeping under their burlap, but the ones I had to hack through clay and a rock mine to plant are doing well:
Saturday, September 14, 2024
Projects Old and New
Calling it an island is kind of a misnomer; it's a giant floating mass of reeds, which occasionally seems to anchor itself in place for weeks, and then will wind up floating about. Lately it's often been in the shallower end in the morning, but somehow it always seems to find its way back to its "home" in the back corner of the pond. There's an actual island over there, likewise covered in reeds, but durable enough to have actual trees on it. If you go around the back of the pond, the edge of the island is only about 10 feet away - but it's 10 feet of quite deceptively deep water. I'd never be able to get the rowboat back there - it's too hemmed in on the sides with vegetation. Maybe one day I'll borrow a kayak and use that as a pontoon bridge!
I did take the boat out for its third and final "sail" of the summer last weekend. This time my goal was to clean up some floating bits of plant debris, so I just brought a Home Depot bucket that I could fill up with muck, then pull alongside the shallow end and hand off to Sean to empty. Another reason I wouldn't go into the water, aside from the deepness...it's so full of bugs, Jesus Christ. I mean, I'm happy that the ecosystem's happy, but nothing like pulling a mass of pond weed into the boat and having tons of mite-sized bugs spill off it onto your legs. There are also bugs that look like beetles or crickets but live underwater. This did not fill me with joy. Nor did Sean's unexpected announcement that the island was floating toward me! I was in the middle of the pond, I turn around, and the wind was indeed pushing it my way. It was sort of freaky - for one thing, it's a lot BIGGER when you're looking up at it from a boat.
and then added a dozen or so alongside the house where the mulch bed had been empty. You're supposed to bury them so shallowly that the top of the rhizome is visible, which I think I did okayish at, but we'll see what happens with all of these in the spring.
Wednesday, July 03, 2024
Another Summer Update!
The milkweed patch went gangbusters with flowers, but I only saw two monarchs over the 10 days or so when they were at their height, and spotted a single monarch caterpillar (which wasn't on the plant the next day, so could have potentially become a bird's snack). However, I'm trying to content myself with how much joy the bee population was getting from them! The phrase "hive of activity" was extremely apt. The smell of the milkweed flowers, while subtle, is rich and warm - really lovely when brought to you over a breeze.
I went out on the pond a second time to do reed removal, and discovered that the damn thing still has a slow leak. I'm hitting it with more flexseal this week. Also, the oarlock pin worked great...on the oarlock I managed to get it on to. The other one flew off into the water as soon as I tried to attach it. I had Sean run and grab me a safety pin, which turned out to be a cheap piece of shit (thanks Amazon), but I was still able to twist the metal to hold the other oar in place. It was still very awkward with two oars of the same length, but whatever.
The second video is just to capture the "bullfrog chorus" at the pond. In previous weeks it was more overlaid with birds, but I realized that most of the birds have probably fledged their kids by now and are less aggressive (redwing blackbirds, I'm looking at you). The bullfrogs remind me of a group of stringed instruments hidden around the pond, each with a single chord being plucked when they sound off. Not captured, but always funny/surprising to me: if you walk up to the pond and startle them, even if you don't see them, you'll hear this high-pitched "scree!" and a plop as they jump in. Combine that with three or four little red-eared sliders paddling madly to safety when you come near, and it's about enough to hurt a girl's feelings. I just want to be friendsssssss!
Wednesday, June 12, 2024
2024 Update
Sean was recently amusing himself by going through "the archive" -- which I last updated last July. Look at me, squeaking in under the 1-year wire! I had to go back through my photos to see hm, what should I add to the record in brief?
Autumn:
Our shed roof has been in trouble since we bought this house. The inspector had pointed out that despite its impressive size (20 x 16, as I learned when I needed to obtain the tarp below), it had some design flaws: Don (our house's original owner - his wife Betty sold it to the developers in 2018, and the Grammaticos stepped in during that flip before selling to us) had used a lot of interior wood trim on the exterior, which is a no-no. He also didn't install any ventilation in the roof (possibly assuming the side windows would work?), so the shingles on the left-hand side, which caught the most sun, had been baking for years, curling up and falling off. By this past fall, I could see that water was making it to the plywood ceiling from inside the shed, so I decided we needed to put up a tarp. It sounds so simple, and yet, the Great Tarp Adventure would have been a complete failure without the intercession of our new neighbor, Ken, who replaced Todd and Margo. The first tarp, which was too small and only covered the front where the water was coming in, kept blowing off in storms, despite my best efforts to anchor it to cinderblocks (of which we have many, thank you Don). Then I decided we needed to tarp the entire thing - but I'm afraid of heights, and the thought of Sean getting up there was giving me such anxiety (even though yes, it's not very high up). Ken saw us struggling and came right over - despite being 75, he has that wiry, no-nonsense old-man energy, and no qualms about going up onto the roof to get the tarp settled from the top. Oh, and going up again 15 minutes later, because a sudden gust of wind lifted it off before we could get it settled. He even went out and got these candy-cane shaped rebar pins and redid all of our ropes (because even with cinderblocks on the top of the rebar sunk into the group, the wind really wanted that tarp).
We repaid Ken's kindness with a bottle of his preferred beverage - Macallan scotch! The tarp stayed up until we got the roof replaced in early February (yes this was winter, despite the 0 snow on the ground). Winter is a good time to get small roofing jobs done, I guess - it only took them about four hours. I thought they might have to replace some of the plywood where there was water staining, but nope, it was still good (and a sign of Russo Roofing not trying to upsell us, which I appreciate).
I chose the lightest gray shingles possible to help reflect the heat, but on the summer to-do list is to install a pair of 8-inch gable vents along the back side of the shed (not directly in the center, where you normally see them because that's where Don ran the main roof support beam).
Winter:
We had a gas fireplace installed, which is ridiculously cozy, and unlike the one we had on Concord Street, this one lights up with a remote! We had to experiment with our Christmas set-up, since the last couple of years we had put the loveseat directly in front of the (empty) fireplace. Sean masterminded this, and it worked great!
Summer:
In conclusion: the Goose War of 2024 continues. Constant vigilance!
Wildflower project:

I've been solarizing these under plastic for a few weeks, and just took the plastic off today. I read that you should give the patches a break so that any surviving weeds have time to stick their heads up -- then you rip them out and redo the tarps for another period. The goal is to seed this area with native wildflower seeds in the fall, six weeks before the frost, and then hopefully they will germinate on their own in the spring. I can't afford to cover this much ground with plugs, so seed it shall be. I'll also need to temper my expectations, because apparently wildflower areas tend to "creep" in year 2 and then "leap" in year three.
The Boat Project:
Finally, I suppose I would be remiss if I didn't mention my other, ahem, "nature control" project: reducing the number of chipmunks, which exploded this year. We had to have the driveway repaired two years ago because of them, and now they're destroying the retaining wall too, which was the last straw. All efforts at deterrence failed, so now we've moved on to murder. At last count we've got 17 fewer chipmunks around here than we had last month, but they're still seemingly everywhere. We'll see what the number is the next time I update this!
Saturday, July 08, 2023
Midsummer
Sunday, May 28, 2023
Spring, Almost Summer
It's Memorial Day weekend, so I suppose it's strange to still think of this as spring, but it's an absolutely beautiful day, not a cloud in the sky, no humidity, and a healthy breeze. I'm typing this on the back porch, listening to the sounds of the birds, occasionally punctuated by the roar of a motorcycle or a truck from the road.
Usually the rustling in the undergrowth beneath the pine trees that separates us from our neighbors to the side is a bird foraging for snacks, but right now I'm also looking at the fluffy little butt of a rabbit, one of two who earlier today inexplicably chased each other up from the pond, around the yard, and under the deck - kind of a bold move in full sunlight with hawks about. These both appear to be full-size rabbits, but last year our yard was occupied by one adult and one small rabbit I called Baby Bun, whose demise I sadly witnessed later in the summer. The one I'm watching now just seems to be hanging out in there - napping, possibly.
Without a real garden to defend (we have just three pots on the deck this year, two basil varieties and an oregano, classic Italian), the rabbits and other local fauna, like the under-shed groundhog, are mostly welcome. The chipmunks are still assholes. I picked up a downspout extender to empty it of any sitting water this morning and - to my surprise - ejected an equally surprised member of Rodentia! Even though I closed their "subway stop" in the middle of the driveway when we had it resealed, I still periodically consider annihilating them.
But nay, there is only one creature for whom I reserve my truly murderous rage, and that is the Canada goose. In February of this year, when we had a weirdly warm period and the ground had softened, I built The Fence: more than 650 feet of 3-foot poultry fencing, supported by posts hammered into the ground by yours truly. I even sucked it up and made first contact with our neighbors behind, who we call Todd and Margo, to get permission for the tiny sliver of the pond they own on the far side. In March, the first "scouts" began arriving periodically. I chased them off with my laser, but it seemed like some of them had "noticed" the fencing, and I hoped they'd be deterred.
Now, fences mean nothing to an adult goose, but to a flightless gosling they're an impenetrable barrier. Without the ability to jump into the water for safety, they'd be easy prey come nightfall. In early May, I saw a family of geese with four goslings over at the lake on Snake Hill Road, less than a mile from us as the crow flies. There's not a huge amount of grass there, and I had a suspicion that these were "our" geese, who had always shown up with goslings. I was right. At the beginning of May, I came home one day to find them hanging out by the shallow end as if they owned the joint. I might have lost it a little - I chased them into the street with a rake, and held them at bay while a line of cars formed in both directions. Someone in a car asked me "oh, why don't you like them?" which is basically a line designed to raise my blood pressure. One pound of shit per day, per bird is the answer! Last year we had 11, in two families! Gahhh.
Chasing them into the road, as satisfying as it was in the short term, was ultimately not going to accomplish anything. They came over the ridge behind Todd and Margo's house, and that was the direction I ultimately was able to harass them into going later that day. Just from a few hours of their presence, though, there was poop everywhere. Now, I could have done nothing, and waited to see if the fence did its trick overnight, but I just really can't deal with their presence here, full stop. The amount of psychic damage the sight of a Canada goose does to me is just unreal. So when they came back - because of course they did - I called Geese Relief, a company that uses border collies for geese control in parks and golf courses. Someone from the company lives in our neighborhood. I met Kate, and her dog Flyer, and learned that his services came at the rate of $50 per visit. Steep, but can you put a price on your sanity?
Kate has only been here a half-dozen times, but it's always been...an experience. Canada geese are loud, which means the entire fucking neighborhood - including all the do-gooder looky-loos who just wuv the widdle baby gooses - is aware that something is going down at our pond. Twice, one of the adults (I choose to believe it's the male) has abandoned his family at the threat of Flyer and sailed himself to safety in the pond, only to spend the next hour like the metronome from hell: "HONK...HONK...HONK..." Eventually he leaves, once he figures out the others are gone and not coming back, but the first time this happened, I saw a car drive slowly down the hill in front of our property...turn into Joe's driveway and turn around...and drive slowly back up the hill. I knew exactly what this was, so I move up to the road, and sure enough, this middle-aged woman has parked her car and is peering through the brush at the pond. "Is everything alright? Is she taking the babies?" I was not as diplomatic as I could have been, but I was very clear that this is a professional (whose branded vehicle was in my driveway), and that the geese are merely being made to feel unsafe. Ughhhh.
The downside of the "exit" back toward their original lake being on Todd and Margo's property was that I needed to get their permission for Flyer and Kate to cross onto it. So I did that, armed with a bottle of wine as an apology, and got permission from Todd. Except, a few days later, when Kate (who drives by our property regularly since she lives nearby) let me know they were back, she was promptly informed by Margo that she can't go on their property. Really annoying, and I'd like my damned bottle of wine back, Todd.
Anyway, our most recent encounter revealed that their goslings now numbered only two (huzzah). Kate and Flyer drove off one adult and gosling and the male took to the pond again. This left one gosling outside the fencing and unable to get in, running at it headlong and falling over. The male wouldn't come out of the safety of the pond, but sat there honking at us, as Flyer menaced the gosling, trying to get it to run away. Now, thank God this happened on a Wednesday around lunchtime, with fewer neighborhood busybodies, because this was right by the road, and Flyer - who is still in training - was a little rough with the gosling. At one point Kate said she thought it might be dead, so I ran for the garage, returning with a contractor bag and gloves, fully ready to conceal the evidence of what is - technically - a federal crime in my front yard.
But it wasn't dead. In fact, in a shocking turn of events, the gosling began to attack the dog. We're talking about a two-pound ball of gray fluff, wings spread and hissing, squaring up on a border collie. It bit the dog on the nose and Kate screamed - because guess what? Goslings are never aggressive. She had no idea what was going on. It kept going for Flyer - all while its parent is honking up a storm! - and I got to the point where I suggested to Kate that if she could herd it down the "alley," which is shielded from street view, maybe we could just let Flyer finish it off, since he had already taken a small nip out of its breast at some point in the tussle. Not super proud of this, but I honestly didn't know how this was going to end! Kate was mad about her dog, and madder still when it attacked again in the alley- she tripped over the poultry fence in protecting Flyer. I had a rock from the edge of the pond, and if I had better aim...well. I thought about it but didn't do it, and Kate wasn't going to have Flyer contradict his training. Ultimately, Kate and Flyer chased the gosling around the pond, and it headed over the ridge on its own. The male stuck around honking for 45 minutes and then left.
This story has two codas. The first was around 5:30 that evening. I was relating this story to Joe, when we heard the awful honking and saw two geese circling overhead. I hoped - I prayed! But no, they landed in the pond. We suspect these were two of the six geese that our neighborhood hippie Justine is feeding down the road. Back I go to call Kate, she's there in five minutes, and 15 minutes later the geese decide they do not like it here and leave. Before she arrived I was yelling at them "you assholes are costing me $50!!"
This "$100-dollar-day" was on Wednesday of this week. We haven't seen any geese since, but I passed the lake yesterday and confirmed that they're there...and down to just one gosling. The vicious one that toddled off on its own got its just rewards. Now, these geese are around for another 6 weeks or so, so every victory is a "battle-and-not-the-war" situation. And it's not cheap, either. But every time I walk around my property without needing to stare at the ground to avoid shit, it's worth it. So fucking worth it. (But oh, if we just lived somewhere without so many adoring eyes on the geese...I would kill those fuckers and save myself the money).
And now for some happier content! Sara said to me last year, when I musing about not having any rue "hobbies," that it seemed like taking care of our property is a hobby and honestly it kind of is. This property requires so much work, lots of it of a kind of work I was definitely not anticipating when I thought vaguely about "owning a home," but the payoff is also awesome.
Even though the necessary consequence of having a pond is battling the geese, I love that fucking pond. I love watching the goldfish in the pond (there are dozens and dozens), I love seeing the turtles (who are very shy, and plop into the water if you get anywhere close), I love the seeing the herons show up for a meal (blue heron in the early morning, the little green heron in the afternoon). Like an idiot, I kind of love getting into my hip waders and removing unwelcome muck and aqueous plants from the shallow end.
I love sitting the chairs facing toward the pond in the afternoon, watching the reeds swaying, with the red-winged blackbirds bouncing around on them.
Last year I decided to to make the area around the remains of a tree stump sort of a little mini-garden, letting whatever was growing there go wild, including the bull thistles that I painstakingly dug out of the lawn elsewhere. They wind up growing to four feet in height, with lovely purple flowers, and the bees adored them! Unfortunately I didn't know that letting them go to see was the worst thing I could have possibly done, haha. All of the downward slope and the flat area between the "island" and the pond? All thistle, all the time. Going down there to take these photos while wearing flip-flops was likely playing "the floor is lava," except instead of lava, it's spikes. The only move now is to keep it under control by mowing it - and this year, prevent the ones on the "island" from going to seed.Generally my policy has been to steward what's already here, rather than adding new stuff, but in the case of our rock wall, last summer I dug out the hostas that had been buried along the long side, where they were not only getting full sun, which they hate, but were literally getting "cooked" by the warmth of the rocks. Even the ones you can still see here will be miserable-looking by midsummer, while the ones on the shadier side of the house will still be full and pretty. I transplanted three of them under the laurel tree in the front, and they're doing well, but the roots of these bastards are deep. I replaced them with these purple salvias. Originally I was going for lavender, but a guy at Van Wilgen's advised us that these are a bit easier to grow. Frankly, I doubt my abilities for new plants, and the salvia was half the price - sold!
Monday, October 17, 2022
Two Years and a Boat
And here, after our single successful "sail" of the season, is the boat after having been washed and being prepared for winter storage. Next year we might have to get Sean a pair of waders if we want to recreate the "Kiss the Girl" scene from Little Mermaid, haha.
Thursday, July 28, 2022
STITAH 2022
One of the first class sessions in Dr. Hall's Renaissance grad seminar was entitled "The Hermeneutics of Facture." It was my first month of grad school, and I remember seeing that on the syllabus and thinking "oh shit, I am not cut out for this!" I actually don't know whether that was intended to be a joke (she does have a sly sense of humor) or it was just her being fancy. Anyway, I remember that we were assigned in groups to read technical articles, and mine was Joyce Plesters on the cleaning of one of the Titians in the NG London, possibly the Bacchus and Ariadne. I didn't expect to write my dissertation on Titian at the time, just happy accident, but I enjoyed it! Fast forward to 2012: in preparing for my exams, technical art history was one of the themes I was writing draft essays on. Here's my introductory paragraph:
Over the course of the 20th century, conservation and technical analysis became an integral part of the art historical apparatus. As techniques (including X-rays, infrared, and chemical analysis) advanced, they have told us more about the materials, techniques, and working practice of individual artists. Technical analysis has also responded to changes in the questions scholars are asking, for example as the field shifted from an early connoisseurial interest in separating original from copy to the growing interest in methods of reproduction in the workshop. These developments have not come without controversy, particularly in terms of cleaning and restoration. Particular problems also remain in terms of integrating technical data into art historical monographs and catalogs, although there have been recent promising advances.
Look at the baby art historian! Still putting two spaces between her sentences. Actually, STITAH corrected one misapprehension that I've evidently held since the beginning: elsewhere in the essay I made reference to chemical analysis of materials being possibly through the use of "core samples," which I envisioned as being extracted with a syringe, kind of like a geological core, but I learned that it's done with a scalpel, like slicing a piece of a mole for a biopsy.
Anyway, since I've been teaching the Technology and Art intro course, I've been able to apply some of my interests in the classroom, which has been really fun. It's kind of unusual to feel like something we're doing is "cutting edge" (it's Fairfield, c'mon), but Yale is only now redesigning its intro courses to follow a similar "deep dive" idea. And although it's always humbling to be reminded of the scale and scope of Yale's art collection, some of my fellow STITAH-ers were coming from institutions that had no collections of any kind to teach from. I'm lucky not only to have a museum, but to work in the museum, which makes it the easiest for me to use.
People were pretty interested by the Teaching Collection, too, which, I can boast here, was my idea: putting together not only art objects that don't rise to the level of accession-worthy, but also artists' materials and tools, into a collection that that students can actually handle and get a feel for. The Teaching Collection has our Wave That's Doing It's Best, for example, but also samples of Prussian blue, produced by the Chemistry and Art students. We have a lithographic stone and a Japanese lacquer box, both bought off Ebay in order to support education around specific exhibitions. I just acquired two samples of Carrara marble, including one chunk of the purest white that Michelangelo would have used, for my fall Renaissance class. It's pretty cool, and I'm proud of it, and it was really affirming to have such interest from professional colleagues, several of whom wanted advice on how to go about starting collections of their own. In our case, it's mostly happenstance: stuff Jim donated that was in bad shape, or the copy of the Guido Reni Madonna and Child that had been kicking around the library, and which a local art restorer test-cleaned pro bono, to show the difference after varnish and stain removal.
In addition to the varnish demo, the only real tool of conservation science that I can feasibly/cheaply/safely deploy is a UV flashlight I bought from Amazon, which can show discolored varnish as well as later overpainting. Megan was a little nervous about me flashing that on non-Teaching Collection objects, so imagine my delight to learn from the conservators at Yale that not only is it not an issue, they also bought their flashlights from Amazon! (Theirs was nicer than mine, so I immediately traded up). Of course, they typically employ a room-sized UV set-up, like the one in the photograph.Other methods of investigation are just frustratingly out of reach. Watching them use the IRR camera on a painting was incredible, but they also had this nifty handout showing that different cameras that could perceive different wavelengths of IRR showed quite different results. It's been my burning desire to have some form of near-infrared imaging to use on our own objects. You often hear about modifying cheap digital cameras to remove the IR filter, which I attempted last year with a $50 Amazon camera, with no luck. I found a Heritage Science article on modifying a specific type of older Smartphone with the addition of a fairly expensive small lens, which I shared with a Physics professor who brings his Optics classes to the gallery. He expressed interest, but I need to follow up on that this year. Irma Passeri, the YUAG conservator, noted you can also buy DSLR cameras and have them factory-modded, but that's a thousand dollars or so (another reminder of Yale resources). Post-STITAH I discovered you can buy cameras on Ebay that have been "ghost-modded" - enabling infrared for ghost-hunters! Sadly, I doubt that those kinds of mods would achieve the wavelength necessary to reveal underdrawing on a painting, as opposed to "cold spots" in a house.

What I am not immortalizing here is the tempera painting exercise that we completed on the lower half of the panel, because damn, I sucked that that! They only gave us 3 tints, and our goal was to imitated a detail of some drapery off a 14th-century panel, and mine was...not good. If I use the upper part of this panel for teaching (if I ever do Early Ren, that is), I'll be taping an index card over my shame at the bottom. The same went for the oil exercise, which I didn't even bother to bring home. We also did a sumi-e workshop with a Japanese painter, and after he helpfully added in the bamboo leaves that I, after 30 minutes of practicing, could not manage to wrist-flick properly, I declared my work done, brought it home, and gave it to my sister. She gives me the boys' art all the time, and since mine was of about the same level, I figured why not repay the favor.
I came out of the week having learned a lot and energized to see how I might put even a tiny bit of this into practice. We have a painting in the TC that we're pretty sure is a modern imitation of an early Renaissance panel painting in oil, but Irma told me that Raman microscopy would be the only "proof" of the binder. I asked around - no Raman microscope at Fairfield. Ditto XRF (one of the scientists, Anniko, passed around their XRF "gun" and cheerfully told us it costs about $50k), which could help identify pigments. UV can only show some overpainting, as well as fluorescence of the white highlights (which matches lead white, as opposed to titanium or zinc white, but so what? A modern forger could well have used more traditional materials...). If I had an IRR device I could check for underdrawing. Even with just raking light I can see incised lines for some of the background and the halos. But alas, Fairfield's on-campus resources just aren't quite there. We've asked Yale to look at some objects for us before (our mystery Chinese plaques, which in their elemental composition matched ancient Chinese gold objects), but never a TC-level object that we're pretty sure is a "tourist art" piece, just based on stylistic analysis; Carey and I agreed that the angels' hair just "looks" wrong, for example, plus there's an inscription on the frame, Ave Maria Mater Pia, that does not seem to have been used in the 15th/16th century, based on my rudimentary research. It's a little frustrating to know we could have so many more answers about this object in a couple of hours, if we had Yale's material and intellectual resources! Arghhh.






































