Carla and I went to Sta. Maria del Carmine this morning to see the Brancacci Chapel, which was rather impressive. I especially enjoyed the fresco of St Peter Healing with His Shadow, which is from the Golden Legend so probably not really true, but still cool. Then we hit up La Specola, which is the natural history museum with specimens of thousands of animals, which was so amazing--as Carla put it, you forget half of these animals exist until you see them in a case! All my favorites were present, including tiger, meerkat, raccoon, penguin, and assorted furry animals. The walrus was frightening, it looked bigger than most cars.
After lunch, having nothing much to do and despairing of writing my paper because it's simply too beautiful out today to be talking about Bernini's statues, I went to find the English Cemetery of Florence, which is also called the Island of the Dead due to its location, perched on what has basically become a giant traffic island with large avenues that completely surround it (click on the title of this post for the Wikipedia article). Getting across the street was an adventure in itself, let me tell you. There was a nun at the gate who asked me to sign a guest book--most of the visitors seemed to have been Americans, and there had been only a handful over the last couple of days--and advised me not to leave the paths, as the graves are dangerous to walk around.
Everything you imagine of the mystery and poignancy of the Romantic era is manifested in this cemetery, right down to the cypress trees, broken tombs and shattered columns covered in moss. Elizabeth Barrett Browning is buried there, and I had ostensibly come to see her tomb which was designed by her husband and doesn't even say her same, simply E.B.B. (although it does have lyres engraved on it, which I considered a nice touch). Her tomb didn't interest me half as much as some of the others I saw there; though she is the most famous of the island's inhabitants, there are countesses and barons buried there, as well as English generals and officers, an English ambassador to the court of Italy, and many artists, sculptors, writers etc.
Although there are many nationalities represented in the cemetery, and while every cemetery has its sad stories to tell, I felt a strange sense of connection when seeing the tombs of people who had come from Kentucky, Philadelphia, Boston, who had died thousands of miles away from the world they grew up in, surrounded perhaps by family, or perhaps by strangers. Then I wondered if these people, many of whom never even saw the outcome of the civil war and for whom black rights or women's rights would simply be a contradiction in terms, would have been able to feel any more connection to me than they might be able to feel towards, say, a Russian of their own period.
At the center of the cemetery is a huge column dedicated to one of the kings of Prussia, Frederick William. There was some morbid amusement to see carved there the same Bible verse I read for my dad's funeral, just in French: "Je suis la resurrection e la vie..." Very popular words, those.
There was another, smaller column dedicated thus:
To the Sacred Memory of Ann Murray
Spinster
Died May 6 1815
Tomorrow will be Ann Murray's anniversary, but who will there be to remember her? I'm sure it wasn't meant cruelly, but just putting "spinster" on the tombstone, not sister, not daughter, not friend...perhaps no one liked her, or perhaps she was alone here, and no one knew who she was friend or sister or daughter of. If it's true that we only die when memories of us have faded, then most of the people in this cemetery have been condemned to die another death.